Friday 8 July 2011

Murder 2 Movie Review


Murder 2 is a sequel to the successful film Murder that came in the year 2004. The Bhatt’s are continuing making films which they believe in, which are bold and boasts of a strong storyline. Murder 2 is no exception. Infact , they have gone a step further this time.   Yes, you heard it right! Murder 2 is far more bold and erotic than it’s prequel and also the script this time is far more compelling and thought-provoking. Directed by Mohit Suri, it stars Emaraan Hashmi, Jaqueline Feranandes as the lead protagonists. The main antagonist of the movie is Prashant Narayanan who plays the role of psycho serial killer. 

Murder 2 is all about serial killing and human trafficking told in a bold manner with lots of eroticism sprinkled on it. It is about an ex-policeman of Goa, Arjun Bhagwat played by Emrann Hashmi who is hungry for money and is ready to do all the wrong deeds to earn it. Priya played by Jaqueline  is  a model who is in a confused relationship with Arjun. Dheeraj Pandey played by Prashant Narayanan is a serial killer who catches the girls especially call girls and kills them brutally. Reshma played by Sulagana Panigrahi is a college student who becomes a victim caught in the clutches of Dheeraj Pandey. How Arjun investigates the case of missing girls and catches the murderer forms the rest of the story.

The film starts off with the song Aa zara picturized on Yana gupta which is sizzing to say the least. The choreoghaphy by Raju Khan is brilliant. The subsequent scene in which she is brutally murdered by the antagonist sets the tone of the film which darker, edgier and murkier.

The story is written by Mahesh Bhatt which is evident from the detaling of the characters and the boldness of the subject. He uses his expertise to the fullest to write such a compelling and hard-hitting story. The screenplay and dialogues of the movie are by Shagufta rafique which are the backbone of this movie. It maintains the viewer’s interest throughout and makes us sit on the edge of our seat. There are many sequences in which the dialogues are the highpoint which are sure to receive whistles and claps from the masses. Bhatt and Emraan Hashmi movies are synonymous with good music and this time also they succeed in their endeavour. Music is composed by Harshit saxena, Mithoon and Sangeet-Siddharth Haldipur. The songs which stands out are Haal-e-dil and Phir Mohabbat which are melodious to the core and provides a relief from the tense situations.

Direction by Mohit Suri is Top Notch this time who had earlier failed miserably in the Raaz sequel.  He displays maturity and sensitivity in the filming of the emotional scenes. Cinematography by Ravi walia is excellent as he handles the camera deftly and captures the violent scenes with gusto. Infact, because of his camerawork, the impact of some scenes are  heightened. Editing by Devendra murdeshwar is crisp and tight.  Background score is another highpoint of the movie which is haunting and disturbing in some places.

Now coming to the performances , Emraan Hashmi as the ex-policeman who is haunted by his past excels in his role. The anger towards the antagonist and the helplessness of his when he realizes his fault comes out perfectly through his expressions and dialogue delivery. Jaqueline fernandes as his love interest adds to the oomph factor which is associated to the Murder franchise but in the acting department , she need to work harder. Sulgana panigrahi as the helpless victim is convincing and draws sympathy. But the one who is the lifeline of the movie is Prashant narayanan as the serial killer who delivers his career best performance and overshadows everyone with his towering presence. His dialogue delivery, his mannerisms and the way he changes his behavior is brilliant. He breathes life into his character which is brutal and inhuman. Shewta kawatre as the psychiatrist exels in a singe sequence. The remaining cast is appropriate and lends good support.

Some highpoints of the Movie:
-          The introduction scene of Prashat narayanan in which he confronts with Sulagana Panigrahi.
-          Interrogation scene of the villain with the police in which the villain acts to be a memory loss patient.
-          The song Aa zara and the subsequent scene.
-          The conflict scene between the villain and the psychiatrist
-          The climax

Overall, the movie excels in every department be it direction, cinematography, music, performances or screenplay. It is a worthy sequel to the Murder franchise and will be a bumper hit as it has all the ingredients to lure the masses and classes alike. 

Rating- ***1/2

Gandhi To Hitler Music Review

 
Gandhi To Hitler is a multilingual Indian drama film based on letters written by Mahatma Gandhi to the leader of the Nazi party and the chancellor of Germany Adolf Hitler. It is a patriotic film directed by Rakesh ranjan kumar starring Raghubir Yadav as Hitler. Music is composed by Arbind-Lyton and lyrics are by Dr. Pallavi Mishra. Expectations are not much as there is little scope for music but one is amazed to see the credit list featuring singers like Jagjit singh, Penaz masani, Bhupen hazarika,Daler mehandi and Shaan who all are masters in their field. 

The album consists of 5 tracks and some reprise versions. Every track starts off with some monologues which gives an insight into the film’s narrative. The first track ‘Har ore tabahi ka manzar’ sung by the king of ghazals shri.jagjit singh is a slow paced song with minimal instrumentation. Jagit singh’s inimitable style of singing makes it an endearing song. Also, the lyrics are thought-provoking. It depicts the aftermath of war with conviction.

Next is ‘Yeh jazba hamara hai azaadi ka’ sung by Shaan whose voice has become a synonym of romance by now sings a song which is a complete departure from what he has been singing so far. Although the lyrics are motivational, the song lacks melody and is more of a school poem. It has a strong hangover of ‘Daastaan’ from om shanti om in it’s mood and setting. All in all, an average song.

The next track is the famous bhajan ‘Vaishnav jan’ sung by Penaz mazani . It has an another version also sung by Bhupen hazarika. Both are good but the one by Penaz masani is much better. Her voice is so soothing that it makes us feel relaxed.The feel and emotions with which it is sung cannot be described in words. Also the use of Indian instruments is excellent and makes it further melodious.

Then comes ‘Hara shwet kesaria’ which is a festival song and celebrates the colourful Holi festival in it’s true manner. Daler mehendi is at the helm of affairs along with Priya bhattacharya and Mazumdar, all of whom have done a great job. The musical arrangements like the use of dhol beats are apt for the song. 

The last but not the least is our national song ‘Vande Mataram’ in a never before heard Rock Version sung by Bensen baby, Aman pant and Vasundhra V. This song has a classical base to it which is fused brilliantly with soft rock style. The starting lines itself makes us hooked to it. The interlude consisting of table beats and sargam is exceptional. It is an amalgamation of Indian and Western music and sensibilities. The best track of the album.

Overall, the music of the film is quite different and is not everyone’s cup of tea. But for connoisseurs of music , it’s a treat to listen such album. Composers Arbind-Lyton have done a commendable work displaying variety and maintaining quality. Lyrics by Dr. Pallavi mishra are inspirational filled with patriotism. 

My Picks: Har ore tabhai ka manzar, Vaishnav jan, Vande Matram.

Rating: ***1/2

Friday 1 July 2011

Weekend Box-Office Prediction(1-3 july 2011)

 

Delhi Belly
Friday- 7 crs
Saturday- 6crs
Sunday- 8 crs
Total- 21 crs  
Will see a big drop on Monday.





Bbuddah hoga tera baap
Friday- 3 crs
Satuday- 4 crs
Sunday- 5 crs
Total- 12 crs
Will be rock-steady on Monday.